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The MEDUSA imagination · metamorphosis as a signature

From wood, stone emerges

A presence sculpted by time, to be discovered as a work of art.

Manifeste

Matter first

Before form, there is a presence: grain, density, light. In Madagascar, matter carries a geography, a gesture and a memory.

MEDUSA reveals its lines without erasing them, in contemporary creations made to inhabit time.

Reveal without erasing.

La gardienne de la matière, figure sculpturale tenant une fourche à trois pointes

The emblem

Guardian of the passage

In the MEDUSA imagination, a figure watches over the threshold where the living becomes mineral. Her gaze does not petrify to destroy: it reveals what time had already begun to write.

What was once a tree is stone today, without losing its drawing. The three-pronged fork marks this passage, as growth rings mark the seasons of wood turned to rock.

Enter the MEDUSA imagination

Room 01 · signature furniture

The earth's archives

Each slab preserves a singular geography. The visuals shown here are editorial studies while studio photographs of the pieces are being prepared.

The entire collection
Editorial visualisation of a basin and two petrified-wood spheres gathered under raking light

Collection objects

At hand height

Each object extends the MEDUSA universe with the same attention to the cut, the polish, the hand and the light. The scale changes; the rigour remains.

Rooms 02 & 03 · bowls, basins & specimens

The hollow and the whole

Bowls whose bark remains raw while the core is polished to a reflection, spheres whose grain wraps around the volume. A unique piece is not limited to furniture.

View the objects
Visualisation éditoriale d'une tranche de bois pétrifié dégagée de la terre malgache, baobabs à l'horizon

Origin · source matter

Madagascar

An origin read through lines, densities and contrasts. MEDUSA composes petrified wood, stone and mineral into a contemporary, precise and deeply tactile expression.

  • Growth rings and reliefs

    Growth rings remain legible in the stone: each slab preserves the drawing of the tree it once was.

  • Natural edges

    The contour is not drawn; it is found. The cut follows the material rather than imposing a geometry on it.

  • Mineral depth

    Polishing reveals nuances and crystallisations without ever making the surface uniform.

Craftsmanship

Six gestures before the piece

The cutting of wood and stone follows the drawing of the material. Polishing reveals its nuances; assembly makes it useful; finishing gives it presence.

  1. 01

    Select

  2. 02

    Read & orient

  3. 03

    Cut

  4. 04

    Polish

  5. 05

    Assemble

  6. 06

    Bring to light

The gesture and the craft

Photograph of a MEDUSA light: beneath a dark, copper-lined shade, three hammered-bronze trunks rise from a base of petrified-wood marquetry ringed with brass

The MEDUSA appointment

What can only be seen in person

The weight, the coolness of the surface beneath the palm, the way the polish reflects light depending on where one stands: the material keeps something that cannot be transmitted from a distance. The Antananarivo gallery welcomes visitors by appointment.

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