
Plateau ivoire
3 500 000 Ar
≈ $812
The MEDUSA imagination · metamorphosis as a signature
A presence sculpted by time, to be discovered as a work of art.
Manifeste
Before form, there is a presence: grain, density, light. In Madagascar, matter carries a geography, a gesture and a memory.
MEDUSA reveals its lines without erasing them, in contemporary creations made to inhabit time.
Reveal without erasing.

The emblem
In the MEDUSA imagination, a figure watches over the threshold where the living becomes mineral. Her gaze does not petrify to destroy: it reveals what time had already begun to write.
What was once a tree is stone today, without losing its drawing. The three-pronged fork marks this passage, as growth rings mark the seasons of wood turned to rock.
Enter the MEDUSA imaginationRoom 01 · signature furniture
Each slab preserves a singular geography. The visuals shown here are editorial studies while studio photographs of the pieces are being prepared.

Collection objects
Each object extends the MEDUSA universe with the same attention to the cut, the polish, the hand and the light. The scale changes; the rigour remains.
Rooms 02 & 03 · bowls, basins & specimens
Bowls whose bark remains raw while the core is polished to a reflection, spheres whose grain wraps around the volume. A unique piece is not limited to furniture.

Origin · source matter
An origin read through lines, densities and contrasts. MEDUSA composes petrified wood, stone and mineral into a contemporary, precise and deeply tactile expression.
Growth rings remain legible in the stone: each slab preserves the drawing of the tree it once was.
The contour is not drawn; it is found. The cut follows the material rather than imposing a geometry on it.
Polishing reveals nuances and crystallisations without ever making the surface uniform.
Craftsmanship
The cutting of wood and stone follows the drawing of the material. Polishing reveals its nuances; assembly makes it useful; finishing gives it presence.

The MEDUSA appointment
The weight, the coolness of the surface beneath the palm, the way the polish reflects light depending on where one stands: the material keeps something that cannot be transmitted from a distance. The Antananarivo gallery welcomes visitors by appointment.